![]() Linear,Cubic: Averages the middle sample points' value. Nearest: There's no modification of the place of the sample points. Not normalized: Custom volume, the sound can be distorted.Įnd point: In original state, the sample points stay at the original value, but in smooth the software optimalizes the place of the sample points. ![]() Normalized: Normalizes the finished sound's volume, meaning that it can't go into distorted state, but the edited sound always stays at maximum volume. The volume of the beginning and the end of the sound can be edited with the fade-in, fade-out function. Reset: By clicking on the knob the audio changes back to its original state.įade: The third graphic display shows the finished wavetable's wave form. Phase shift: The second wavetable can be shifted in time. + -: In this mode the volume of the 16 segments can be turned up or down. By shifting the segment up and down, the user can invert the given segment's wave form. Invert: In this mode the table can be separated into 16 segments. Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob) 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data) an SD Card slot (for updating M’s firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables) and - last but not least - a Kensington-compatible security lock slot.Edit: There are 3 ways to edit Wavetable: Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations. Making a conscious design decision to set up M’s modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.īack in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronize to MIDI clock. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters. Meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). ![]() Moreover, it also features freshly-programmed sounds utilizing M’s myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-sync-able global LFO (Low Frequency Oscillator).īut beating at M’s musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue-coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, … read more Plentiful presets - totaling 2,048 sound programs (divided into 16 banks, each with 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave.
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